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The Art Business Certificate

Module 2 – The art Market
£1,000.00 £2,000.00

The Art Business Certificate

Module 2 – The art Market
£1,000.00 £2,000.00

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Semester Certificate Course

Principles and Practice of Western Art History: Techniques, Theories and Close Looking

This programme of insightful lectures will cover three of the most important elements in acquiring a complete knowledge of the story of Western Art. 

Overview Term 1 Term 2 Term 3 Academic Profiles Further Information
Overview

Overview

 This programme of insightful lectures will cover three of the most important elements in acquiring a complete knowledge of the Story of Western Art. It will help to develop a connoisseur's eye by closely studying the techniques and materials used to create masterpieces. We will use focused and careful looking to enhance visual analysis of key works. Through assessing key theories and ideas associated with artworks created between the 14th century and the modern era, this course will add depth to our understanding of Western art. This course stands alone very well for those familiar with these periods, though it perfectly complements our course Stories of European Art: A New Perspective of Art History.

 

The following components will make up the course: 

 

Making Masterpieces

Lecturer: Aliki Braine

This course on the history of western European painting is designed to explore the history of materials and techniques along with their impact on the production and nature of images. Sessions combine informal lectures and practical demonstrations aimed at getting a better understanding of how masterpieces were made throughout the centuries. 

 

The Art of Close Looking

Lecturer: Karly Allen

This course is designed to encourage close, careful observation of selected paintings and drawings from the history of western art. It questions how we habitually look at an image, and introduces tools and approaches for sustained, meaningful looking and visual analysis. By slowing down to focus on only two artworks per session, we explore the details, brushwork and arrangement of each composition, to develop a vocabulary for aesthetic appreciation and independent study. 

 

Art in Theory

Lecturer: Ben Street

The Art in Theory sessions are designed to assess critical theories that provide differing perspectives on the history of western art. These theories include ideas contemporary to the works of art under discussion as well as more recent ideas, aimed at reminding us that art history is a living discipline which is continually under discussion. 

 

What you will discover:

  • A connoisseur’s understanding of artistic techniques and materials, key thoughts and ideas connected with Art History from the Early Renaissance to our Modern times  

  • A developing comprehensive understanding of critical perspectives associated with the Story of Art  

  • A deeper look into specialised insights for those who already have a grounding in Art History

 

To register for the complete package including both the Stories of Western Art and Redefining Connoisseurship at a discounted price please click below:

Enroll here

 

Any Questions?

Click here and request a call back from our course advisor  

Term 1

Term 1

Lecture 1 - Tuesday 21 September 2021

Making Masterpieces... in the Renaissance 

This first lecture will focus on the techniques of egg tempera, fresco, gilding, pricking and pouncing, with a special focus on Italian works of art 

 

Lecture 2 - Tuesday 28 September 2021 

Making Masterpieces... in the Renaissance 

This second lecture will focus on works made in Northern Europe and the Netherlandish invention of oil painting and glazes. 

 

Lecture 3 - Tuesday 5 October 2021 

The Art of Close Looking: Bellini’s engagement with the East 

Zoom in on the details of paintings by Giovanni and Gentile Bellini, to observe the fertile aesthetic exchange between artists of the Venetian Renaissance and the cultures of Byzantium and Islam, east of the Mediterranean Sea. Our study takes us to Constantinople, where Gentile worked for Sultan Mehmet II, and brings us closer to the painters’ techniques and motifs.   

 

Lecture 4 - Tuesday 12 October 2021 

The Art of Close Looking: Leonardo’s drawings 

Leonardo da Vinci is remembered as the archetypal Renaissance artist and innovator and it is through his drawings that we best appreciate his passionate interests across a multitude of disciplines. We take a close look at two works on paper to sense Leonardo’s quality of line, tone and modelling, and discover how he used drawing as a tool for observation and investigation.  

 

Lecture 5 - Tuesday 19 October 2021 

Art in Theory: Models of Art History 

How has western art history been constructed and why? What are its models and what does it exclude, and why? 

 

Lecture 6 - Tuesday 26 October 2021 

Art in Theory: Models of Art History 

Theories of the artist: how has western art history conceived of the idea of the artist? How have these ideas been challenged or retained?

 

 

 

 

Term 2

Term 2

Lecture 1 -Tuesday 2 November 2021 

Making Masterpieces... on paper 

This session will focus on the techniques of drawing, including different supports of paper and parchment and different drawing materials such as silverpoint, pen and ink, charcoal, chalk and conte. 

 

Lecture 2 - Tuesday 9 November 2021

Making Masterpieces... on paper 

This session will focus on the techniques of drawing, including different supports of paper and parchment and different drawing materials such as silverpoint, pen and ink, charcoal, chalk and conte. 

 

Lecture 3 - Tuesday 16 November 2021

The Art of Close Looking: Rubens’ nudes 

Peter Paul Rubens excelled at painting naked human flesh and his name is associated with the voluptuous female nudes which fill his compositions. We take a close look at the painted surface of his pictures to sense the application of colour and movement of the artist’s brush, becoming familiar with the shapes and poses of these ‘Rubenesque’ bodies. 

 

Lecture 4 - Tuesday 23 November 2021

The Art of Close Looking: Rembrandt’s self portraits 

Famous for depicting his own image more than any artist before him, Rembrandt’s self portraits have been closely scrutinised by viewers for centuries. In this lecture, we zoom in on two paintings to consider what makes these works so extraordinary, allowing time to see iconic pictures with fresh eyes and develop a sense of personal connection. 

 

Lecture 5 - Tuesday 30 November 2021

Art in Theory: Art and power 

In this session we use theory old and new to investigate how visual art articulates power structures in western societies  

 

Lecture 6 - Tuesday 7 December 2021

 

Art in Theory: Art and the self 

By looking at both old and new theories, we consider how visual art provides a means of exploring the shifting ideas of subjectivity 

 

 

 

Term 3

Term 3

Lecture 1 - Tuesday 11 January 2022  


Making Masterpieces… in the Modern World 

This session will focus on the materials and techniques of Impressionism, including the impact of new synthetic colours and pigments, the growing practice of painting en-plein-air and the impact of colour theory. 

 

Lecture 2 - Tuesday 18 January 2022

Making Masterpieces… in the Modern World

This final session will explore the materials, techniques and technologies of photography including the use of the camera obscura, cyanotypes daguerreotypes and collotypes and investigate how these new technologies had an impact on the art of painting. 

 

Lecture 3 - Tuesday 25 January 2022  

 

The Art of Close Looking: Monet’s ‘Japanese’ Garden

In what ways were Claude Monet and his Impressionist contemporaries affected and encouraged by their contact with Japanese woodblock prints? We take a close look at landscapes by Monet to sense the linear qualities, areas of flat colour and pictorial arrangements that suggest an artistic dialogue with Japan. 

 

Lecture 4 - Tuesday 1 February 2022 

The Art of Close Looking: Degas’ bathers & dancers  

Throughout his long career, Edgar Degas dedicated himself to an intense engagement with the human body. By zooming in on two artworks from his large series of bathers and dancers, we explore how Degas used the figure in action as a vehicle for experimentation in colour, mark-making and form. 

 

Lecture 5 - Tuesday 8 February 2022 

Art in Theory: Art and Space 

Using theory old and new to consider how visual art reflects changing ideas about space, place and politics. 

 

Lecture 6 - Tuesday 15 February 2022  

 

Art in Theory: Art and Identity 

Using theory old and new to consider how visual art traces shifting ideas of selfhood in modern contexts

 

Academic Profiles

Academic Profiles

Aliki Braine

Born in Paris in 1976, Aliki Braine studied at The Ruskin School of Fine Art, Oxford, The Slade School of Fine Art, London and The Courtauld Institute where she was awarded a distinction for her masters in 17th century painting. Aliki has been a regular lecturer at the National Gallery since 2001 and also teaches at the Wallace Collection, Courtauld Gallery and for The Arts Society. She is an Associate Lecturer in the Department of Fine Art Photography for the University of the Arts London. Aliki is also a practicing artist who regularly exhibits her photographic work internationally.

 

 

 

Karly Allen

A lecturer in art history and observation, Karly Allen uses drawing and mindfulness approaches to foster close looking and engagement with art. She studied at the Ruskin School of Art (University of Oxford) and SOAS (University of London), where she received a masters with distinction in the art of Japan. Karly worked for the National Gallery for 18 years and was formerly Education Manager for the Royal Collection at Buckingham Palace. She has lectured widely for UK museum collections for the past 20 years, including the Royal Academy, Courtauld Gallery, Wallace Collection and the V&A. As co-director of Limina Collective, Karly works with an international team of specialists in art-viewing with mindfulness. 

 

 

Ben Street

Ben Street is an art historian and writer. He has been a lecturer for the National Gallery, Tate, the Royal Academy, Dulwich Picture Gallery and Christie's Education, among other institutions. He is the author of numerous books for general readers, most recently 'How to Enjoy Art' (Yale University Press, released September 2021) and a contributing writer on contemporary art for Apollo, Art Review and the Times Literary Supplement.

 

 

Further Information

Further Information

Course costs 

Per Term: £450

Full course: £1200

Full Course including Redefining Connoisseurship: £2270 (A discount of £340): Enroll here

 

Am I eligible? 

There are no prior qualifications needed to study this course. 

 

More Information

Read our Frequently Asked Questions to find out more information about short courses.

For any queries about this course please contact

London Courses Department

+44 (0)78 2447 4719

Email: shortcoursesuk@christies.com

 

 

 

 


 
Register

Full course £1200 / £450 per term

Three Terms each with 6 lectures
18, 1-hour Lectures 

Tuesdays 
21 September 2021 - February 2022
16:00 – 17:00 GMT/BST

Students wishing to be eligible for the Christie's Education Certificate* must of studied the full programme and complete the following:

A slide test that will test your connoisseur skills, details to be given on enrollment

*The Certificate is awarded by Christie's Education and is not credit bearing.

High quality sound & video

Video available to watch for 7 days after broadcast

Interactive Q & A with the academic

Delivered over Zoom

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We will never pass your personal information to anyone outside of Christie's Education for their own marketing purposes without your consent. For more information about how Christie's Education processes your data, please click here to read our Privacy Notice.

Register

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Art in Focus | Insights from Collectors in Asia

Fees: HK$5,200 / US$670
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Art in Focus | Chinese Ceramics, Paintings and Works of Art Learn More

Art in Focus | Chinese Ceramics, Paintings and Works of Art

Fees: HK$4,500 / US$580
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Self Taught Art

Fees: $395/£320
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