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The Art Business Certificate

Module 2 – The art Market
£1,000.00 £2,000.00

The Art Business Certificate

Module 2 – The art Market
£1,000.00 £2,000.00

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Semester Certificate Course

Stories of European Art: A New Perspective of Art History

Join this comprehensive survey of the Renaissance to Impressionism taught over three terms.

Overview Term 1 Term 2 Term 3 Academic Profiles Further Information
Overview

Overview

For so long, under-represented art and artists have been missing from Art History programmes and survey courses. Christie's Education is excited to explore a new approach by presenting Rediscovering the Foundations of Western Art - a study of Art History for our time

Course Outline 

The full course gives students a broad overview of the history of western European painting and its historical context. To complement this engaging chronological survey of artists and movements from the early Renaissance to Impressionism, students are also encouraged to join our partnered course Principles and Practice of Western Art History: Techniques, Theories and Close Looking which includes lectures on historical materials and techniques of painting, the art of closer looking and visual analysis, and art theory. This course gives students the opportunity to gain a strong understanding of the main themes of Western European art history
 

 

What you will discover:
 
Semester 1
 
· Knowledge of key artists and masterpieces of the Renaissance

· Ability to analyse images and engage with the subjects of Western European Art

· Growing confidence in looking at and interpreting works of art
 

 

Semester 2

· Knowledge of key artists and masterpieces of the late 16th and 17th centuries

· Ability to analyse images and engage with the subjects of Western European Art

· Growing confidence in looking at and interpreting works of art
 

 

Semester 3

· Knowledge of key artists and masterpieces of the 18th and 19th centuries

· Ability to analyse images and engage with the subjects of Western European Art

· Growing confidence in looking at and interpreting works of art

 

Any Questions?

Click here and request a call back from our course advisor  

 

Term 1

Term 1

Lecture 1  - Monday 12 September 2022  

New Beginnings: Giotto, Masaccio and the birth of the Early Italian Renaissance   

Lecturer: Ben Street

 

Lecture 2  - Monday 19 September 2022 

The Past Reborn: Botticelli, Mantegna and the cult of antiquity 

Lecturer: Karly Allen

 

Lecture 3 - Monday 26 September 2022 

Capturing Reflections: van Eyck, van der Weyden and the Northern Renaissance 

Lecturer: Aliki Braine

 

Lecture 4 - Monday 3 October 2022  

Renaissance Men: Leonardo, Dürer and Humanism 

Lecturer: Aliki Braine

 

Lecture 5 - Monday 10 October 2022

Perfection Attained: Raphael, Michelangelo and the later Renaissance in Florence and Rome

Lecturer: Ben Street

 

Lecture 6 - Monday 17 October 2022  

Speaking in colour: Bellini, Titian and the Renaissance in Venice 

Lecturer: Aliki Braine

 

Term 2

Term 2

Lecture 1  - Monday 31 October 2022

Beyond the Renaissance: Pontormo, Bronzino and Mannerism  

Lecturer: Ben Street 

 

Lecture 2 - Monday 7 November 2022

A New Real: The Carracci, Caravaggio, Artemisia Gentileschi and Tenebrism  

Lecturer:  Aliki Braine 

 

Lecture 3 - Monday 14 November 2022 

Revitalising the Faith: Cortona, Pozzo, Reni and Italian Baroque painting on ceilings and walls 

Lecturer:  Ben Street 

 

Lecture 4  - Monday 21 November 2022

Artists at Court: Rubens, Van Dyck and the Flemish Baroque 

Lecturer:  Karly Allen 

 

Lecture 5 - Monday 28 November 2022

Piety and Power: Velazquez, Murillo, Zurbarán and the Spanish Baroque 

Lecturer:  Karly Allen 

 

Lecture 6 - Monday 5 December 2022

Painting for a New Republic: Vermeer, Rembrandt and the Dutch Golden Age 

Lecturer:  Karly Allen

 

Term 3

Term 3

Last season's dates 

Lecture 1  - Monday 10 January 2022 

Painting Arcadia: Watteau, Fragonard and the French Rococo 

Lecturer: Ben Street 

 

Lecture 2 - Monday 17 January 2022 

Art for the Revolution: David, Ingres and Neoclassicism 

Lecturer: Karly Allen 

 

Lecture 3 - Monday 24 January 2022 

Pleasant Lands: Turner, Constable and the British Golden Age 

Lecturer: Karly Allen 

 

Lecture 4 - Monday 31 January 2022 

The Artist Inspired: Delacroix, Friedrich and Romanticism
Lecturer: Ben Street

 

Lecture 5  - Monday 7 February 2022 

Painting the Present: Courbet, Manet and Realism 

Lecturer: Aliki Braine 

 

Lecture 6 - Monday 14 February 2022  

Seeing and Feeling: Monet, Morisot and Impressionism 

Lecturer: Aliki Braine

 

Academic Profiles

Academic Profiles

Aliki Braine

Born in Paris in 1976, Aliki Braine studied at The Ruskin School of Fine Art, Oxford, The Slade School of Fine Art, London and The Courtauld Institute where she was awarded a distinction for her masters in 17th century painting. Aliki has been a regular lecturer at the National Gallery since 2001 and also teaches at the Wallace Collection, Courtauld Gallery and for The Arts Society. She is an Associate Lecturer in the Department of Fine Art Photography for the University of the Arts London. Aliki is also a practicing artist who regularly exhibits her photographic work internationally.

 

 

 

Karly Allen

A lecturer in art history and observation, Karly Allen uses drawing and mindfulness approaches to foster close looking and engagement with art. She studied at the Ruskin School of Art (University of Oxford) and SOAS (University of London), where she received a masters with distinction in the art of Japan. Karly worked for the National Gallery for 18 years and was formerly Education Manager for the Royal Collection at Buckingham Palace. She has lectured widely for UK museum collections for the past 20 years, including the Royal Academy, Courtauld Gallery, Wallace Collection and the V&A. As co-director of Limina Collective, Karly works with an international team of specialists in art-viewing with mindfulness. 

 

 

Ben Street

Ben Street is an art historian and writer. He has been a lecturer for the National Gallery, Tate, the Royal Academy, Dulwich Picture Gallery and Christie's Education, among other institutions. He is the author of numerous books for general readers, most recently 'How to Enjoy Art' (Yale University Press, released September 2021) and a contributing writer on contemporary art for Apollo, Art Review and the Times Literary Supplement.

 

 

Further Information

Further Information

Course cost

Per Term: £450

Full Course: £1200  (A discount of £150)

Full Course including Redefining Connoisseurship: £2270 (A discount of £340)

 

Am I eligible? 

There are no prior qualifications needed to study this course. 

 

More Information

Read our Frequently Asked Questions to find out more information about short courses.

For any queries about this course please contact

London Courses Department

+44 (0)78 2447 4719

Email: shortcoursesuk@christies.com

 

 

 

 


 
Register

Full course £1200 / £450 per term

18-day course

Mondays,
12 September 2022 – 13 February 2023

Time: 16:00 – 17:00 BST/GMT

Students wishing to be eligible for the Christie's Education Certificate* must have studied the full programme and complete the following:

A slide test that will test your connoisseur skills, details to be given on enrollment

*The Certificate is awarded by Christie's Education and is not credit bearing.

High quality sound & video

Video available to watch for 7 days after broadcast

Interactive Q & A with the academic

Delivered over Zoom

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We will never pass your personal information to anyone outside of Christie's Education for their own marketing purposes without your consent. For more information about how Christie's Education processes your data, please click here to read our Privacy Notice.

Register

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Christie’s Education is a specialist institution in the study of art business and the art market, art history and art world ecosystems, curating and connoisseurship. Our teaching philosophy is rooted in a knowledge culture that respects original enquiry and learning and that reflects a commitment to principles of equality, diversity and inclusivity.

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