- To register your interest for the next intake in October 2023, please email email@example.com -
This course introduces you to the inner workings of the auction business by focusing on how property is obtained for sale, how the major auction houses compete for consignments, the inter-departmental teamwork involved with bringing works of art to the auction block, and the mechanism and processes at work in the auction saleroom.
You are given an inside perspective into buying and selling at auction, the evolution and current importance of financial incentives offered by the major auction houses and how private sales and online bidding have changed the auction industry.
Additional insight is provided by guest speakers from Christie’s auction house who will explain their various roles in key departments. Registration will include a private exhibition tour led by a Christie’s specialist.
Veronique Chagnon-Burke, PhD
Independent Scholar, Co-Founder of WADDA [Women Art Dealers Digital Archives]
Throughout her career, Véronique Chagnon-Burke has taught a wide range of subjects in art market studies and art history at Queens College, Parsons School of Design, and Hunter College, among other institutions. Her museum and research positions have included work at the Museum of Modern Art and the College Art Association, and she has also worked at the Hôtel Drouot in Paris. From 2002 to 2021, she was the Director of Christie’s Education in New York, where she also taught the history of the art market.
A specialist in the history of nineteenth century French landscape painting, her fields of expertise also include nineteenth century art criticism and the art market and the role of women in the art world. She received her Ph.D. from The Graduate Center of the City University of New York, her M.A. from the Institute of Fine Arts of New York University, and her Licence from the Université Paris-Sorbonne. She is also a graduate of the Ecole du Louvre in museum studies.
Most recently she has been focusing on organizing academic conferences which bring together art history and art market studies, such as Celebrating Female Agency in the Art in June 2018, and Women Art Dealers 1940-1990 in May 2019. Her current collaborative project is the Women Art Dealers Digital Archive (WADDA), a digital platform that maps the role women art dealers played in the institutionalization of modern and contemporary art. She is one of the editors of an upcoming book Women Art Dealers, Makers of the Modern Art Market, 1940-1990, to be published by Bloomsbury in 2023. She is founding member of the New York chapter of The International Art Market Studies Association [TIAMSA] and a section editor for the upcoming Art Market Dictionary to be published by De Gruyter, in Berlin in 2021.
“The Market for Contemporary Art,” Grove Art Dictionary (2018)
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